Sudden Burst Of Nasty Laughter
Video and sound, [14.40 mins]
Sound Composer: Daniel Jenatsch
Piano: Eddie Sullivan
Artist Director/Editor: Claire Lambe
Producer/Assistant Director: Terri Dawn Smith (image Credit)
Cinematographer: Camilo Mateus
Voices: Connie, Eddie, Mel and Margaret Sullivan
Actors: Klari Agar, Alexandra Dobson
Commissioned for the NGV, Melbourne Now,
Curated by Amita Kirpalani with thanks Pip Wallis
Vimeo password; SBNL
CONNORS CONNORS 2023
Medium/Duration
Loop 5.34 Video shot on Red Cine and Drone,
With thanks to: Daniel Jentastch, Freesound.org: InspectorJ and skijor1 and robinhood76
Large Steel Arch, 2640 x 1800 x 250
https://www.sarahscoutpresents.com/exhibitions/85-kisser-the-friend-claire-lambe-and-daniel/
THE KISSER Daniel Jenatsch and Claire Lambe
Agent Bodies curated by Mikala Dwyer and Drew Pettifer
https://rmitgallery.com/wp-content/uploads/2022/05/AgentBodies_Catalogue_spreadsweb.pdf
Video work https://vimeo.com/759328419
TBC, Feb 2021 DART OBJECT
https://memoreview.net/reviews/dart-object-x-drowning-curse-at-tcb-by-audrey-schmidt
In 1977 I read a book of short stories thinking it was a novel. It made sense to me, a broken nonlinear backcloth. Moments in experience all from distinctive perceptions, no beginning, middle or end.
This work is one of those moments its part of a bigger picture, a ten-year project, that might not make sense to an onlooker, but it does to me.
Dart Object is a soft sculpture constructed by the desire to understand how it feels to slip inside a form and the material knowledge that can be realized from the intimacy of looking.
A jacket that comes with a history and will be used in the future.
Mother holding Something Horrific, Curated by ACCA’s Artistic Director, Max Delany and Curator, Annika Kristensen, 2017
Claire Lambe: Mother Holding Something Horrific charges ACCA’s gallery spaces with a series of corporeal sculptures and dramatic installations that are at once uncanny, anarchic and full of life and libido. Collaboration: sound work with Daniel Jenatsch The installation will be further enlivened by an occasional series of performances by contemporary dancer and choreographer Atlanta Eke, to be developed in the gallery space over the course of the exhibition, continuing an ongoing collaboration between the two artists.
Studio Process, The manual of Instruction 2017, Pascale Dawson, Marlon lambe, Remi Johnson
Performance by contemporary dancer and choreographer Atlanta Eke developed in the gallery alongside Claire Lambe’s solo exhibition Mother Holding Something Horrific, continuing an ongoing collaboration between the two artists. Atlanta Eke and performer Annabelle Balharry accompanied by musician Daniel Jenatsch and films edited via live-feed video recording and playback on TV screen. Artist Image
https://acca.melbourne/program/atlanta-eke-mother-holding-something-horrific-the-dance-6/
http://chunkymove.com/our-works/current-repertoire/miss-universal/
Miss Universal, Next wave, Chunky Move, 2015
Melbourne dancer and choreographer Atlanta Eke creates an immersive performance that questions the possibility for universality within contemporary social structures.
Atlanta, joined by dancers Annabelle Balharry, Chloe Chignell and Angela Goh, will journey through a landscape of images, sculpture and transformative material created with visual artist Claire Lambe, accompanied by the captivating live music of Fountain collaborator Daniel Jenatsch. Lighting designer Matthew Adey of House of Vnholy, completes the creative team. Artist Image: Rehearsal Miss Universal, Chunky move Melbourne
Artist Image: Mother Holding Something Horrific, Photographic print.
In some places it’s illegal to hang your washing out to dry Curated by Rosemary Forde, Sarah Scout Presents, features artist, Fiona Abicare, Nadine Christensen, Carolyn Eskdale,
Claire Lambe and Phebe Schmidt . Artist Image:
Edwards Trust Award nominated by Gertrude Contemporary.
The International Studio & Curatorial Program (ISCP) New York
https://iscp-nyc.org/ Artist Image: Studio Presentation
Melbourne Now and Lurid Beauty exhibitions At the NGV
Claire Lambe ‘Shhhh Men at Work ‘, 2013, polyurethane foam, transparent synthetic polymer resin, fabric and bronze, 58 x 171.2 x 159.5 cm.
Image courtesy NGV Australia Collection